Why do human beings raise big stones?

Stone Raising for Raising Stones sake
Hold on to your Stone Age axe head, I’m about to get mildly philosophical.
There’s more to the 1970’s 10cc song ‘Art for Art’s Sake’ than I appreciated as a young hipster.
The essence of the French (of course) phrase “l’art pour l’art” is about:
• Art being valued for its own qualities.
• Art not needing to teach a lesson or serve a practical purpose, and
• Art’s value not depending on what somebody gets out of it. The work is complete as itself.
Of course, art might actually end up doing some or all of these things, but that’s incidental (or possibly not).
Phew! Last time I had a serious conversation about the meaning of art was at Bangor University. I was sitting inside a piece of Public Art referred to as ‘the deeply polarising carbuncle of a monstrosity’ Y Caban, now ‘removed’.
However, I would suggest that if you can have art for art’s sake, why not have stones for stone’s sake?
I’m also wondering that if we can not guarantee that a stone will last forever, or that future generations will even understand it, what makes raising it worthwhile in the first place?
Here’s a few thoughts about trying to make sense of it all in the context of; people, monuments and the things we leave behind.

1. We raise stones to do things together
Thanks to Dave Snowden for pointing me in the direction of The Dawn of Everything by David Graeber and David Wengrow .
Graeber and Wengrow suggest that ancient people might have voluntarily raised stones for a number of reasons one of which might be to do with the seasons.
In the summer your small group might be off ‘hunter gathering’ and in the winter you might get together with others to form a larger group. There’s safety in numbers. The raising of stones could be associated with creating ‘ritual gathering spaces’, feasting etc but also ‘experimentation with social complexity’.
That fits with the idea of ‘community building’ in a modern context as it takes a lot of people to raise a stone. Some sort of ‘organising’ and sense of shared purpose will help. Obviously, we don’t know the exact motivation and reasons ‘why’, but we have got the stones they left behind.
So, what if building something together isn’t simply a way of achieving a shared objective? What if the act of building it together is part of the objective?
What if it’s a deliberate act of community building?

2. We raise stones to express who we are. Gorsedd circles and the Caerwedros Talking Stone
Two Welsh examples that do different things.
Gorsedd circles
The stones associated with Gorsedd ceremonies are not prehistoric monuments. They are modern ceremonial structures connected with Welsh cultural life, particularly the Eisteddfod.
They show that standing stones can be used to express cultural identity, mark a place and provide a setting for people to gather.
A circle of stones can mean something because of what happens around it, the Eisteddfod, not just because of the stones themselves.
The Caerwedros Talking Stone
The community of Caerwedros in Pembrokeshire created a standing stone with sculptor Ben Dearnley.
It isn’t pretending to be a prehistoric monument. It’s a modern object that incorporates local history and cultural references and expresses something about Caerwedros and its community.
There’s an interesting question to ask here:
What might a community today want to say about itself? And who should get to decide what that is?

3. We raise stones to remember
In response to Part 1 of these posts a friend sent me details of a very local standing stone near Miskin Manor. I knew nothing about it.
It seems to have come to archeological attention during a 1970s survey ahead of the M4 motorway construction.
The stone is apparently from the Bronze Age and has a long history, but its original purpose isn’t known.
You can see it. You can touch it. You can speculate about it. But we cannot simply ask its builders what they intended.
That brings a interesting contrast with the Caerwedros Talking Stone.
The Miskin Stone has survived but its original meaning is uncertain. The Caerwedros Stone has identifiable modern references, but its meaning will evolve over time as the community changes.
A stone can survive while its meaning changes, fades or disappears altogether. Neither stone can control how future generations interpret it.
Perhaps that is not necessarily a failure. The Miskin stone has become part of the local story again because someone took an interest in it.
Created, lost, found, lost again, found again, rinse and repeat.

4. We raise stones to leave something behind
The Georgia Guidestones and Ozymandias
I’ve got something nagging at me here about intent. Thinking about the sentiment behind Art for Art’s sake and Stones for Stone’s sake is there a risk around deliberately trying to land a message, impose power or suggest a way of living for people?
The Georgia Guidestones
The Guidestones were erected in Georgia, USA, in 1980. They carried a set of messages about how humanity should live and were often controversial.
They were destroyed following an explosion in July 2022, and the remaining structure was demolished for safety.
The stones were erected anonymously and the 10 instructions written on them in 8 different languages were ‘interesting’. I’m still attracted to number
7 “Avoid petty laws and useless officials”.
The local community did embrace them as a tourist attraction, but they also had a history of being vandalised and were ultimately ‘blown up’.
Did the fact that the Guidestones were commissioned anonymously, with messages intended for humanity as a whole, contribute to the controversy around them? Would their short (42 year) history have been different if their purpose had emerged from the local community?
Thank you Martin Downs for raising my cultural standards (again) and introducing a bit of poetry.
Shelley’s poem presents the broken remains of a colossal statue, surrounded by emptiness. The king’s boast about his greatness survives, but the power it projected, through a statue, has vanished.
Ozymandias wanted a monument to proclaim his greatness. The irony is that the monument survives only to demonstrate how limited power can ultimately be.
We can try to build something intended to last forever, but we cannot control what happens to it, how it is interpreted or whether anyone even remembers why it was built.
And yet we continue to build monuments.

5. So, why do human beings raise stones?
Asking why human beings raise stones is a bit like asking why we create art? The answer is probably “for a million different reasons”.
I’m not remotely qualified to answer this question. But just to prove the point here are a few thoughts, as a handy bullet list.
- We raise stones to commemorate, to mark places, to express identity, to remember people and events, and sometimes to proclaim power.
- Sometimes we build monuments because we want to leave a message for future generations.
- Sometimes we may not know exactly what the future will make of that message.
- And sometimes the act of creating something together might be as significant as the object itself, community building.
- A monument imposed on a community is different from something a community decides to create for itself.
- Through the experience of raising a stone the people involved will have lived it. Experiences like that can change people and the community.
Stone Raising for Raising Stone’s sake.
All of the points above are probably valid, in the appropriate context.
If I was being Machiavellian I’d suggest some of them could be ‘cut and pasted’ into a funding application bid (sorry).
Personally though, I’d prefer to do something with what’s available locally and not ask anyone from outside the community for any cash. But I can be naïvely optimistic.
So, what’s the PONT?
A bit like Art for Art’s sake, is there a case for Stone Raising for Raising Stone’s sake?
I’m in the camp of just do it and justify with whatever reason gets you there.
But if we need a ‘grand vision’, I’m sure we can dig one up… (in a local field).
So, if any of this prompts a desire to raise a stone, lets have a chat.
PS there is a planned Pt 3 post, Is It Our Calling to Raise (Big) Stones?



























































































